Hitting Budapest (The Budapest Raiders, from right to left; Chipo,Sbho,Darling,Stina,Godknows,Bastard
Art by my school mate, Ebesoh Dexter)
For Elizabeth Zandile
Tshele, better known as NoViolet Bulawayo. Review of her debut novel, “We Need
New Names” by Nkiacha Atemnkeng.
There is a saying, “If you want to know a country, read its
writers.” So for me the anchor of “We Need New Names” will always be the last
paragraph of page 193 which ends overleaf.
“There are three homes
inside Mother’s and Aunt Fostalina’s heads: home before independence, before I
was born, when black people and white people were fighting over the country.
Home after independence, when black people won the country. And then the home
of things falling apart, which made Aunt Fostalina leave and come here. Home
one, home two, and home three. There are four homes inside Mother of Bones’
head: home before the white people came to steal the country, and a king ruled;
home when the white people came to steal the country and then there was war;
home when black people got our stolen country back after independence; and then
the home of now. Home one, home two, home three, home four. When somebody talks
about home, you have to listen carefully so you know exactly which one the
person is referring to.”
I’ll go with Mother of Bones. Her Home one was a land called
Great Zimbabwe ruled by black kings like Lobengula. Her Home two was called
Southern Rhodesia stolen by a white man, Cecil John Rhodes and his proxies (the
colony was even named after him; Rhodesia). Then there was war spearheaded by
the secretary general of ZANU called Robert Mugabe and others like Edgar Tekere
who managed to yank the country back from Ian Smith’s claws in the Rhodesian
bush war from bases in Mozambique. Her Home three is the country now known as
Zimbabwe currently under the leadership of Robert Mugabe who won the general
elections in 1980 and became Prime minister on Zimbabwe’s independence in April
1980. Contrary to what many people think, it was a thriving peaceful country
after independence, the land where milk and honey flowed with good health and
education policies until something snapped. Mother of Bones’ Home Four is that
snapping Zimbabwe of the lost decade (2000 to 2010), the period when the
economy shrunk largely due to Robert Mugabe’s land reforms. It is that Zimbabwean
decade of things falling apart. So you have to be careful when citing the
“country” of “We Need New Names.” It is actually the “Achebean-era-Zimbabwe,”
only. That is, Home Four with respect to Mother of Bones and Home Three with
respect to Mother. Even though the novel is set in an unnamed country, to me it
is clearly Zimbabwe. A bunch of all these also happened in my country, Cameroon;
from the pre-independence struggle in the late fifties, to independence in
1960, to the economic boom of the seventies, the stagnation of the eighties and
economic crisis and political turmoil of the early nineties which led to the
devaluation of our currency, the CFA Franc.
NoViolet’s debut novel parallels the media narrative of that lost
decade era which peaked in 2008 perfectly. I remember following events in
Zimbabwe from the news and this book is a wonderful evocation of all I heard, saw
and so much more. (Well, except the juicy guavas). So it’s a blend of reality
and imagination. There were media reports about hectares of farmland being seized
from white farmers and handed over to black farmers, generally Mugabe’s buddies,
homes seized and others destroyed. I heard of galloping inflation, hunger, no
food in the stores, rigged elections, violence as a result of that,
incarceration and torture of MDC opposition leaders and political activists,
some to the point of death, fed up Zimbabweans running away across the border
into South Africa, a few knee deep across a bridgeless, crocodile infested dangerous
river, fed up Zimbabweans emigrating to America, emigrating to Europe, emigrating
to Asia in droves and droves and droves.
However, not just anybody can perform such a no nonsense task
of chronicling all that and more into a heartfelt story that will charm thousands
of readers around the world from Armenia to Zambia, New Zealand to Iceland, Cape
to Cairo and India to Indiana. Not just anybody can spur the Man Booker Prize
judges to colourfully and majestically drape such a novel especially a debut
one with their shortlist flag. It takes someone with real literary genius. But “yes,
she can” do it like Barack Obama, that debut novelist from Zimbabwe called NoViolet
Bulawayo who exploded onto the world literary scene in May 2013 like a fission bomb
with her stunningly crafted novel, “We Need New Names”. NoViolet Bulawayo is a new
wordsmith who smolders red hot words of prose poetry into a finely chiseled
arrow and firmly pierces your heart like Cupid, such that you can do nothing
else but fall in love with her banging writing even if you may not like this her
debut novel. She’s simply a reincarnation of ancient itinerant storytellers and
the best traditional bards, period.
She wrote beautiful poetic prose with a lyrical feel to it
such that her writing sings as if she’s playing symphonies on a lyre. It is fierce,
feral, unsentimental prose written in the first person narrative and child’s
eyes of the protagonist, Darling. NoViolet uses simple language and her
jokester voice, her funny and playful voice to give dimension to and shape the
world of six children; Darling, Bastard, Godknows, Chipo, Sbho and Stina who
live a life some people cannot even begin to imagine, very reminiscent of the refugee
children in E.C Osundu’s 2009 Caine prize winning short story, “Waiting.” The
novel starts with a Caine Prize winning short story itself, her 2011 Caine
Prize winning short story, “Hitting Budapest” which is actually one of my all
time favourite short stories. But it’s a slightly reworked “Hitting Budapest,” (I
read it 11 times in 2011 and spotted all the new lines in this novel.) The
novel is set in a shanty town, a kaka
neighbourhood called…oh my God! Paradise! What a paradox! But the paradise is
not nice oh! Chei! The paradise is a
sprawling suburb of hell. Bulawayo’s inferno ghetto echoes with sounds of
despair, reverberations of people living without any hopeful hope triggered by
the repressive rule of resident president, Robert Mugabe, (Africanist stance liberation
hero or Zimbabwean economy Berlin wall disintegration zero as you like.) It is
a dirty smelly place full of thousands of tin shacks and no real houses.
Extreme hunger prompts the six urchins to go and steal and
stuff guavas in their famished tummies in a swanky neighbourhood called
Budapest. The Hungarian capital! I’m thinking she should have named the place
Miami or something, since it’s a really prominent suburb with chic beautiful
houses. Their eleven-year-old friend, Chipo is pregnant for her grandfather!
The children stumble upon a corpse and steal the dead woman’s shoes to go and
buy bread! Darling pinches a baby so she can cry in church and she’s contented
about it. The children poignantly attempt a futile abortion on Chipo. It’s like
every dark thing happening is normalcy to them. But more than anything, life is
a game. Just like other children, they play many games; Country game, Find Bin
Laden game, Funeral game in “For Real,” Adult game in “Blak Power,” since they
cannot go to school, since their teachers have all left, since their homes have
all been destroyed, since there’s nothing else to do than to play and eat
guavas to constipate themselves and drive away hunger. Their fathers have left
for greener pastures in South Africa and elsewhere. And Darling’s father
returns with AIDS instead of the goodies. Elections fail and the men return to
their disillusioned lives. Men are clowns and dogs in this book; a man who
impregnates his granddaughter, a false prosperity preaching prophet called
Prophet Revelations Bitchington Mborro, a senselessly verbose security guard,
an AIDS ravaged father, barbaric men looting from houses and writing on a wall
with excrement, a mentally deranged old man called Tshaka Zulu.
Darling experiences all these horrors in her ghetto with
childlike naivety but she has a deep sense of hope. “I’m going to America to
live with my aunt Fostalina, it won’t be long, you’ll see.” She has a utopia
view of America and doesn’t pause to think of the country’s own challenges as
she dreams of it. Darling actually makes it there and is amazed by the variety
of choice and food. But she also collides headfirst with America’s own problems
and grapples with them a lot in silence as the writer continues to deepen and
darken her world; the dysfunctional society, her illegal status, crime, American
accent barrier, her estranged mannerisms, her repugnance for pop culture etc. So
this also makes it a novel about emigration and the problems that also come
with the illegal status of some Africans. NoViolet skyrockets on the issue in a
heartfelt chapter titled “How they lived”. It can make you cry. All these cause
Darling to miss home and her friends a lot but she equally feels detached and
somewhat snobbish and cold to them on the phone. The cultural dislocation and
dilemma creates a gaping rift in her mind as she reaches adolescence, to the
extent that she doesn’t even call her own mother which brings to mind many
Africans in the diaspora. She inherits habits quintessential to many American teenagers
like the American accent, cruising as a group in town with the car of her
friend’s mother which they drive without her knowledge, watching pornography
online and texting. NoViolet’s literary techie exploits; texting, skype
conversations and facebooking in the novel contributed in making it a very
contemporary book and all the more impressive because it was done in a novel written
by an African which was a first for me. So letter writing, faxing and telegrams
in African prose, you are all dead
dead.
There is the utmost conflict in the book between Chipo and
Darling when the former accuses the latter of becoming Americanized and
abandoning their country which she pretends to call home. The accusation angers
Darling to the point that she hurls the computer to the wall. There’s also
conflict between Darling and Aunt Fostalina over career choice. There is mind
conflict between Aunt Fostalina and her husband, Uncle Kojo over the Zimbabwean
president, Robert Mugabe. Their marriage is also collapsing rapidly. From Aunt
Fostalina’s actions, I get the impression she considers him to be a crumbled
economy zero and Uncle Kojo openly declares him an African statesman hero. In
my opinion, the title of the novel stems from the debate of that Mugabe
longevity issue even though the phrase “we need new names” comes up only when
the children are trying to choose Doctor names during their perennial playing.
Here is NoViolet’s opinion during an interview, “I feel we need a constant
injection of new ideas, as in new personalities. It makes any space richer…When something is not working, you need to change it. So we
need really a new breed, a new culture of politics to carry us to where we need
to be.” So that summarizes “We Need New Names” which ends with very little or
no conflict resolution.
There
are countless themes in the book; poverty, stealing, kids play, Religion, false
prophecy, Politics, AIDS, destruction, death, emigration, cultural dislocation,
conflict, longing, mental dysfunction, infidelity, illegality, alcohol
addiction just to mention some of them. The novel is an episodic plotted one with each of the
eighteen named chapters spewing forth pages and pages of something
unpredictable, new, poignant but generally funny like eighteen episodes of the
family series, “Fresh Prince of Bel Air.” Each successive chapter presented a
new story that simultaneously enchanted and piqued my curiosity. The book intentionally
wanders about like Early man looking for fruits as nutritional fulfillment
–guavas, stumbling on a ‘wild animal’ –a corpse dangling from a tree, six cubs
playing constantly –(Country game, Find Bin Laden game), humans finding steel
to make fire –wire used to attempt abortion on Chipo, lightning –flash of
camera lights, linguistic thunder –lethal fatal insult by a security guard,
“you pathetic, fatally miscalculated biological blunder”, savage dinosaur
attack –barbaric men invading homes in “Blak Power” and killing of Bornfree,
flight of a bird –white plane on the book cover (my version of the book) flying
Darling to the garden of Eden (America), eating of the forbidden fruit –Aunt
Fostalina’s infidelity to her husband and Darling’s car cruising with her
friends, lion of Africa –Robert Mugabe according to Uncle Kojo, two hens
fighting –Chipo/Darling Skype confrontation…Funny uh? That’s because I’m
gearing you up for the next paragraph.
NoViolet also uses sacks-full of humour to engage you in her
work and get you gripped from the very first page. And that begins right from
her character names; Bastard, Chipo, Sbho, Stina, Mother of Bones, Fraction,
Bornfree, Nomoreproblems, Forgiveness, Godknows, (names NoViolet dug out from
God-knows-where!) The book made me laugh and laugh and then laugh some more. I
remember it fell off my hands thrice. It’s definitely the funniest novel I’ve
ever read and being a funny young man myself, I’ll always love this book more
than even some other better crafted novels. Have a look at this scene in
America.
I’m supposed to start teaching him my language because he
says he and his brother are going to my country so he can shoot an elephant,
something he has dreamed of doing ever since he was a boy. I don’t know where
my language comes in – like does he want to ask the elephant if he wants to be
killed or something? (P 268)
Okay if that didn’t hit your laugh
button then what about this?
The boy comes up behind her, his thing like a snake in front
of him. I reach forward and click on Mute because when the real action starts
we always like to be the soundtrack of the flicks. We have learned to do the
noises, so when the boy starts working the woman we moan and we moan and we
groan, our noise growing fiercer with each hard thrust like we have become the
woman in the flick and are feeling the boy’s thing inside us, tearing us up. We
stop briefly when the woman takes her leg down from the railing and bends over,
still grasping the pole. Now the boy is pumping grinding digging. We imagine he
is fire and we scream as if we are burning in hell. Usually Kristal is the
loudest because she has a high pitched voice but today Marina surpasses us all.
(P 203/204)
The porn scene has captivated
many readers. But this one below is darkly humourous.
He doesn’t tell us to say cheese so we don’t. When he sees
Chipo, with her stomach, he stands there so surprised I think he is going to
drop the camera. Then he remembers what he came to do and starts taking away
again, this time taking lots of pictures of Chipo. It’s like she has become
Paris Hilton, it’s all click-flash-flash-click. When he doesn’t stop she turns
around and stands at the edge of the group, frowning. Even a brick knows that
Paris doesn’t like the paparazzi.
Now the cameraman pounces on Godknows’s black buttocks.
Bastard points and laughs, and Godknows turns around and covers the holes of
his shorts with his hands like he is that naked man in the Bible, but he cannot
completely cover his nakedness. We are all laughing at Godknows. (P 54/55)
I didn’t find the above picture
taking funny, it instead irritated me a lot. Someone with a good heart will ask
many questions and sympathize with the children rather than just taking
photographs of them. How come an eleven-year-old is pregnant? Why is the little
boy wearing a torn pair of shorts? Why are the children so slovenly? The camera
lady in “Hitting Budapest” does the same thing. She throws away the thing she
was eating to reach for her camera and take pictures of the hungry children
when they wanted to eat the thing she was eating. The writer brilliantly
illustrates how many whites and Asians come to Africa with only a “tourist
view” of the continent; just to see our breathtaking landscapes, fluorescent
flora, exotic beasts, get many pictures of whatever they see and leave quite
blind to the suffering. So poignant! But she still succeeds to make it funny.
She still pulls a laugh out of you even when she is writing about a funeral.
Now that is what I call a reincarnation of ancient itinerant story tellers.
The book also contains the
most virtuoso prose poetry I’ve ever read in my entire life. NoViolet’s prose
is like boiling water with poetry evaporating from it like water vapour. Below
are my favourites,
She is wearing a yellow dress and the grass licks the tip of
her red shoes…The sun squeezes through the leaves and gives everything a
strange colour…blue beads, their colours screaming against the quiet brown of
the skin…The sun is already frying the shacks; I feel it over my body, roasting
me…our stomachs are so full they could explode…It’s light rain, the kind that
just licks you…The rain stops and the sun comes out and pierces, like it wants
to show the rain who is who. We sit there and get cooked in it…listening to the
cough pounding the walls…He feels like dry wood in my hands, but there is a
strange light in his sunken eyes, like he has swallowed the sun…his legs are so
hairy you could comb them…Now mother is moaning; the man, he is panting. The
bed is shuffling like a train taking them somewhere important that needs to be
reached fast. Now the train stops and spits them on the bed of plastic, and the
man lets out a terrific groan.
Yes, very creative. And there’s
no remedy to my addictive affinity for these lovely cascade of similes,
We didn’t eat this
morning and my stomach feels like somebody just took a shovel and dug
everything out…proud peacocks, the feathers spread out like rays…when Makhosi
came back his hands were like decaying logs…we pass tiny shack after shack
crammed together like hot loaves of bread…she is kicking and twitching like a
fish in the sand…we are as sad as graves, sad like the adults coming back from
burying the dead…their voices circle each other like crazy cocks…a fucking
tsunami walks on water, like Jesus Christ, only it’s a devil…we watch the car
like maybe it’s a bride…so thin, like he eats pins and wire…his voice rises
like smoke, past us towards God…in America, roads are like the devil’s hands,
like God’s love reaching all over…the singing is so distant it’s like the
voices have been buried under the earth…Aunt Fostalina snatched the remote
control from the coffee table pointed at the TV like it was a gun and shot…the
calls just keep coming like maybe they heard Aunt Fostalina is married to the
bank of America…staggering and bumping into stuff like a chicken with its head
cut off…little kids over there riding that escalator like it would take them to
heaven, their screams rising like skyscrapers…her voice sounds far away like
maybe it was detained at the border or something…now they are just living
together like neighbouring countries.
NoViolet’s English language is
simple yet very admirable. There are also no inverted commas cloaking dialogue
so the narrative marries the dialogue and they become one like husband and
wife. That too was another first for me. There are a few non English words in
the novel too, generally stemming from the Ndebele
language and the novel has that Ndebele
sensibility to it. My favourite non English word will always be “kaka” which I later learnt means “shit”
in the context of the book from social media. I was again amazed to find out
that my “kaka” has got links to
Spanish “Caca” which is from “mierda” which means “shit.” Also, many non translated
sentences written in the Ndebele language are present in “We need new names”.
She leaves you hanging and triggers you to do some more research on her work.
The writing is more engaging
in the Zimbabwe setting where Darling is very extroverted but as she leaves for
the US which is a new environment she becomes introverted and quiet. This makes
the writing to be less engaging. NoViolet’s writing also has a certain
characteristic that delivers a great effect on the mind of the reader which I
personally call “witty word repetition” like these…But that was not stealing-stealing because it was Stina’s Uncle’s
tree…Forgiveness is not a friend-friend because her family just recently
appeared in Paradise –this makes her a stranger…Paradise with its tin, tin,
tin…then Father laughed, but it wasn’t a laughing-laughing laugh. You kind
of understand what she means. Father laughed but it wasn’t that kind of explosive
laugh that goes hahaha-hehehe-huikihuiki but a gentle sick one since it was
coming from a pair of AIDS ravaged lungs.
So after writing a very
flowery review about NoViolet’s novel and her writing wasn’t there anything for
me to criticize in it? Definitely. I have a fat sporting problem here, Maybe my measles will be gone by the time
it’s World Cup, then I can come and be Drogba. Hey, what about my compatriot, Samuel Eto’o? The most decorated
African footballer of all times! Il est
plus fort que ton Drogba, NoViolet! Quatre
fois Ballon d’or Africain et trois fois gagnant de la ligue des champions
Européenne! La légende Camerounaise du foot Africain! Qui est ton Didier? That’s
just humour. On a serious note, I felt the stronger and more engaging part of
the novel is the Zimbabwe setting and the narrative lost some of its appeal in
the US setting. I was also a bit irritated by the misandry in the novel, men
are painted in bad light a lot. There is also the time flaw between the kids
playing the find Bin Laden game and Chris Brown’s walloping of Rihanna which
Professor Ikhide Ikheloa raised in his brilliant review of the novel. To be
honest, I don’t think I would have been as smart as brainy Papa Ikhide to spot
that weakness. But then, is there any work which is error free? J.S Newman once
said “nothing would be done if you waited until you could do it so well that no
one would find faults.”
I’ve read about five different
reviews in which the reviewers applauded NoViolet Bulawayo’s immense literary
talent but projected her as a poverty porn star and accused her of writing her
book in a “western-media-coverage-of-Africa” style, a CNN coverage of African anguish,
“performing Africa” and including a string of clichés about African suffering
which the world is already quite cognizant of. They have made their solid points
and they are entitled to their opinions. But I disagree with all of them. Generally,
writers get inspired to write about what moves them, from what they perceive,
see, hear, feel etc. And in this particular case, “We Need New Names” was
written by a young Zimbabwean woman who saw her once normal homeland where her
family still resides burning and crumbling like a pack of cards from far away
in the US for ten very painful years called the lost decade. She felt it was a very
necessary project to write about the dystopia of that period, especially when
it peaked in 2008. She says it, but I think the genius of this great woman is
the fact that, she goes further to say and illustrate that the so called
“single African story” is not only unique to Africa. Even America, mankind’s
paradise on earth (not that kaka Paradise
near Budapest) is suffering from the same condition. She also clearly shows how
the so called “single African story” may very well be a universal story, the
lamentable condition of all humanity. Jesus Christ! We need new names and new
geniuses like NoViolet Bulawayo.
NB: I think a funny novel
deserves a funny book review.
About the author: NoViolet Bulawayo was born
and raised in Zimbabwe and now lives in the US. She won the 2011 Caine Prize
for African writing for her short story, “Hitting Budapest” which also appears
as the first chapter in her debut novel, “We Need New Names.” It was the only
African novel shortlisted for the 2013 Man Booker Prize and she is the first
black African woman to achieve the feat. Her work has been published in
numerous anthologies, Boston Review, Callaloo and Newsweek. She earned her MFA in
Creative writing from Cornell University in 2010, where she was recognized with
a Truman Capote Fellowship. She is currently a Wallace Stegner Fellow at
Stanford University.
Nkiacha Atemnkeng is a young Cameroonian writer. His work has been
published in three online journals, malawiwrite.org, www.africabookclub.com and www.thenewblackmagazine.com. He was shortlisted for the 2013 Mardibooks short story competition in
London. A holder of a Curriculum Studies and Biology degree, he works as a
Swissport Customer service agent at the Douala International Airport.
NoViolet Bulawayo: This and the review was awesome to see Nkiacha, made my day, thank you for everything 13 hours ago · Unlike · 1 Nkiacha Atemnkeng naaah, I have to thank you instead. this is the surprise i was telling you about. the art was done by my school mate not me oh! Ebesoh Dexter. he's a final year medical student, he's so flipping busy it took him four n a half months to draw it. i had to bully him with 1000 phone calls to get it done, lol about an hour ago · Like · 1 NoViolet Bulawayo: i was very touched and pleased young bro; do thank Dexter for me o! and you, thank you for the love always
Chinelo Okparanta: As for your review of WNNN, how wonderful. And its so kind of your friend to do the drawing despite his busy schedule. What an artist.
Lizzy Attree. Director of the Caine Prize: thanks for sending. Very lovely drawing! This is a long review Nkiacha.
Isaac Otidi Amuke: And wow! You do seriously good work with that review, and what fascinates me more is the idea of doing an accompanying cartoon relevant to it. I will sure explore more of your work and share, and I also think you should put it out there more just beyond having it on your blog. My very best wishes.
(I submitted it to two online journals, Puffin review and Aerodrome. No response yet. Maybe its because its too long or too unconventional.)
-I submitted it to Zimbabwean American online journal Munyori it got published.
Emmauel Sigauke: Literature Teacher in the US. I notice you said my "two students" above; no; it's 105 students, all starting the discussion of the book this coming week. They have read Binyavanga's “How to write about Africa” essay, watched Chimamanda's single story video, and have gleaned the afropolitanism debates, and now this, your review! lucky students, Nkiacha.
Julie Kelly (NoViolet’s former colleague in Michigan) I read it as soon as you sent it, almost all of it. I skimmed some took me back to the book in my head
Spiwe N Harper: You are a brilliant writer yourself and literary critic. I loved your review very much.
Ayodele Morroco Clarke: Visited your blog...Really like the cartoon. Well done.
Kenneth Fomenky, my classmate: Thanks for the link. I enjoyed the review. It was excellently written, and I believe that it allows your writing style to shine right through. How's your job? I enjoyed the blog piece about the gendarmerie. Keep up the good work, brother
Nana Fredua Agyeman: Ghanaian blogger. Yes it was good though I didn't like the short story which won the Caine and which was the cooking pot for this.
John Stewart: Great write-up and intense perspective. Can I share it with the author herself? Or have you already?....on my wall he wrote “Merci pour le perspective perceptive”
Yasmin Amico: I have written a poem after reading this. It is called: "Stand Tall." Thanks for the inspiration!
Pearl Osibu, Nigerian blogger. Lovely. Has she seen it? I could send it to her.
Farah Ghuznavi, Bangladeshi writer. Hi there, Happy New Year! It was nice to hear from you, and I'm sorry it's taken this long to reply, but I'm increasingly finding that my time to respond directly to correspondence or read anything other than the books on my list is squeezed thanks to my increasingly unmanageable workload. But I was really struck by the drawing on your blog, which I loved, so I decided to take a look at the review immediately, since planning to do it later never works as "later" never happens Anyway, all this to say that it was a very thoughtful and insightful review, and it's clear how much you loved the book. I haven't read the whole thing yet, partly because I found it very hard to stomach some of the subjects (not that everything I write about is a picnic either, but a grandfather who impregnates his granddaughter is a particularly vile waste of space). Your review has made me think again that perhaps I will have to grit my teeth and take on the book - because I do agree that her humour is very clever and she's undoubtedly an extremely talented writer. I love the absolutely brilliant breakdown of the four "phases" of the precolonial African territory/Rhodesia/Zimbabwe. It makes so much sense, and gives the reader of your review a real insight into the country(ies). Two of the other things you said particularly struck me. I made my first trip to Africa, Uganda, to be precise, in 1995. And during that trip I met somebody who was living in Zimbabwe in its "milk and honey" period, relatively speaking. I remember feeling desperately sad when things went downhill a few years later. It's important to remember that the first years after independence was a time of great hope and relative success in Zimbabwe. Secondly, your point about the fact that writers usually write about the things that move them, and dismissing NoViolet as a poverty porn star is disrespectful to that very notion. I've now used up all of my break time writing this message to you, but I have to thank you for taking me back to my beloved continent of Africa for a little while. I've never been to the western part of the continent, but I'm a little bit more familiar with Eastern and Southern Africa in particular. On a completely different note, I will be posting one of my short stories as a status update in the near future (free to read), so I hope you can keep a lookout, in case you are interested. With very best wishes and wishing you the best of luck with your own work. Please excuse any typos as I must send this off now and get back to work – Farah
|
