My humorous imagination about what went down in that elevator.
Solange: This elevator ain’t goin nowhere
Jay-Z: Like ur career?
Solange: Fuck u Sean Carter, who do you think u are? Because u call yourself God MC you think you run the music world? Eminem is sicker than you.
Jay-Z: And Beyonce is a lot cooler than u but she married me. Booooooo!
Solange advances, slaps, insults, kicks, kicks, kicks, pulled back by body guard, breaks free, kicks n screams “who run the world? Girls” kicks “who run the world? Girls” kicks.
Beyonce: (thinkin) Oh my God! Is this my sister? Solange Knowles!!! Nah, this ain’t. it’s an alter ego called Solange Know-less. Oh my God she’s kicking kicking n “Jumping Jumping”
Guard: “Halo” Queen Bey “Check on it” before I separate the attack. You got her back or his back?
Beyonce: Don’t “Say my name”
Guard: Uh?
Beyonce: I said don’t “Say my name”(Bey thinkin) If I jump in on Jay’s back its gon be like I don’t love ma sister, and all da “Single ladies” n even Chimamanda Ngozie Adichie gon think I’m not a feminist anymore. If I jump in on Solange’s back, they gon think I don’t love ma husband n I’m not “Drunk in love”.U know wat? I ain’t got nobody’s back, I’mma stay mute cos I’m an “Independent Woman”.
Jay-Z: (avoiding kicks n pleadin) Yoh, Solange stop, this is ‘Hard knock life” you’re raining on me. I was just “Frontin”, no Pharell, we’re “Happyyyyyyyy” right? I’ll do “Anythin” for u, H to the Izzo, S to the Soso, Solange stop, tu fait “Encore” ca? we’ll go 2 da 40/40 sports bar and do some “Big Pimpin” aight? Stop.
Guard pulls away Solange n out of the elevator
Jay-Z: I used to have 99 problems but a b… ain’t one. Now I got 99 problems and Solange ain’t one. I’ma just go ahead and “Change Clothes” Beyonce nods.
Guard: “Hey Papi” that girl can kick man! Like Jean Claude Vandamme, like Jet Li or somethin.
Jay-Z: She should be in dem movies or dem fight cartoons “Naruto” and “Dragon Ball” the female Sango Koo or somethin
Guard: And it’s the only hit she’s had in years! And I’m just thinkin, if it was Pac, he would have given her some “Thug life” and her face would have had some “Changes” if it was DMX, then we’d hear the revenge kicks along with angry big voice chants ‘what these bitches want from a nigga” if it was Bobby Brown or Chris Brown, hmmmmm, then a guy like Brizzy would have made sure her face had some of that "I can transform ya” But it’s you, Jay, cultured nigga, not laying hands on a woman even when attacked.
Jay-Z: smiles. “Dirt off ma shoulder…”
Beyonce: He’s a “Survivor”
Jay-Z: Thanks Bey. Hey big dude, get me 2 “New York” got a concert to catch with Alicia Keys in New Yooooooooork.......
Wednesday, May 14, 2014
Friday, May 9, 2014
Review of the Writivism Anthology Picture Frames and Other Stories by Nkiacha Atemnkeng
The inaugural Writivism anthology was some
activism by a panel consisting of Hilda Twongyeirwe, Beatrice Lamwaka, Harriet
Anena, Ernest Bazanye, Novuyo Rosa Tshuma and Ceris Dien. It sparked some literary
spasm across Uganda’s young writing prism from 15-25 years of ageism under the
mentorship of some fine African writers on a ship. They were expected to write
on the themes Identity, Diversity and Equality but they somehow managed to get
homosexuality and Lesbianism Writivism in a majority. Without any euphemism, it
means a man fucking a man and a woman fucking a woman activism. Below is some
literary reviewism and criticism intended for some colloquium with the hope that
it will be followed like plant tropism. The winning short fiction for 2013’s
Writivism is “Picture Frames” by Anthea Paelo together with four other flash
fiction pieces on the Shortlistism coupled with eight other prose pieces on the
Longlistism.
Picture
Frames by Anthea Paelo: The writer uses the flashback technique a lot in this brilliant winning
flash fiction which gives it suspense. It’s about a woman called Rose who is
having reveries of her husband and deceased son who was gay. The gay issue
creates conflict between Rose and her husband Daudi, an aloof, insatiable man
who wants to erase every memory of his son because he was a homosexual. She
hopes he would change but he doesn’t and the realization by Rose that he will
never change is the central epiphany of this story.
The Sidewalk
by Nassanga Rashidah: A story about orphaned disheveled kids on the streets begging
for money. Kima an albino child evokes sympathy from the alms givers and it
stirs jealousy in another begger, Mamadou who plans to get rid of her.
Appollo’s ensnaring act on Kima springs a pleasant surprise at the end. There
is stigmatization, begging, jealousy and blackmail up in this one.
Together by
Kathryn Kazibwe: A flash fiction piece about family neglect, about two sisters
who were once close but had suddenly grown estranged and arguing with each
other. In a slow deliberate release of the plot elements, the writer hatches
the story’s egg which unveils their past differences. When the protagonist
reveals that her actions were largely caused by the fact that her baby died,
her sister’s sympathy and love brings them back “together”.
The Shadow
by Emmeline Bisiikwa: It is about a man in an affair with another woman to the point that
his wife becomes a shadow. There’s parental pressure from the man’s mother for
him to get a son bringing to mind many African mothers. And as Jessica the wife
leaves with her daughters for good, she commits a desperate act that gives the
story an unexpected turn. It’s my favourite among the five stories.
Emotional
Rollercoaster by Paul Kisakye: David who is gay consoles his best friend,
a girl called Sanyu who has been cheated on so she’s hurt and in tears. Sanyu
then seduces David and he also cheats on his gay partner Joel by sleeping with
Sanyu. I call it the double infidelity story. But where these two really best
friends? Or had an unsung love for each other? Sanyu just got him quickly baam
like manna in the desert. What I also like about the piece is that, it firmly
places itself in modern day digital Uganda, facebooking and texting.
There were eight longlisted stories and I
didn’t quite get the first one, “Butterflies come at dawn” by Solomon Manzi so
I’ll keep mute about it. In “The New Politician”, Angella Namwase beautifully
delves into a tale of politicking, a political process and election results for
a post of women affairs. “Choices in danger” by Emmanuel Ssebaggala introduces
to us a bright student who was born different -to think like girls. In Europe,
he falls in love with a boy and the relationship triggers his wife’s death.
There’s letter writing in this one. Muhwezi Simpson penned “Grandpa’s story”
which is inspired by the oral storytelling tradition by the fireside of many
societies in Africa. The poignant story is narrated by Grandpa and it is about
forced marriages. “A chance encounter with Jack Bormont” by Robert Ssempande
pricked me nicely. It’s partly written in the American Ebonics dialect and the
protagonist is a famous American who encourages a Ugandan wanna-be Americanah
to be patriotic about his country. “Stolen Innocence” by Faith Nadweny is about
a girl who is being maltreated by a wicked stepmother and attacked by a man who
claims to have been sent by the wicked woman. “True to nothing” by Mildred
Apenyo is about Atim getting out on the road, frustrated by motorbikes and
traffic and goes after love making pleasure. Nora Kirabo’s “Of love and
Sisphean tasks” is an infidelity story where the main character’s lover has an
affair with another woman. She gets emotionally distraught and considers a
break up and concludes she’s going to do it. And that also concludes the 2013 Writivism
anthology.
On a criticism note, I think a brief
biography of the various writers would have been included. We don’t know anything
them. The editing was good, almost all the words are in place. But the book’s
compilation and printing feels rushed. The page structuring was not well done.
Some pages appear which have been printed twice and others are blank except for
a few words. Anyway, judging that it was a first, I have no doubt the anthology
will be done better this year from last year’s experience. The Ugandan writers
are young and their works show potential and I was impressed. However, they can
and should raise the bar with better prose from flash fiction to short stories
and why not novels? Writivism 2013 was Ugandan breakfast. But I definitely know
Writivism 2014 is going to be amazing lunch, different palatable meals from all
over Africa on our lunch menu for the written word hungry. Yes, for after
Writivism comes Readivism. Good Reading y’all! And good job Centre for African
Cultural Excellence for this great initiative including the Co-founder, the man
with “new names” (all about letter e), Bwa Bwesigye Mwesigire de l’Université
de Makerere et de Cace parce que vous avez travaillé.
Short Bio: Nkiacha Atemnkeng is a Cameroonian writer and blogger. He was shortlisted for the 2013 Mardibooks short story competition and was a finalist for the month of October 2013 at the Africa Book Club. He was invited to the 2014 Caine Prize Writers Workshop in Zimbabwe but couldn’t attend because the plane he boarded went missing in the Sahara desert.
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